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Exhibition ME/YOU, US/THEM. Opening Soon: 12 April - 30 June 2024

Mar 5, 2024
3 min read

Updated: Apr 23, 2024

‘How to live together’ is a fundamental question of our human existence. Today we live in a reality where our lives are more closely intertwined than ever, yet simultaneously, we are becoming more and more deeply divided. Not just because of the multitude of identities crowding our world, based on country, region, tribe, religion, culture, social class, or skin colour: not just because of ‘Us and Them’. Also because of ‘Me and You’: because we live in a world where people as individuals are increasingly unable to get along, from fighting their nextdoor neighbours, to opposing anyone with a different opinion or background, to the growing fear of strangers – of anyone who is other. The exhibition ME/YOU, US/THEM is on show from 12 April until 30 June 2024 at droog.


In this world, characterised by an unprecedented level of global connectivity, governments are reinforcing borders and building new walls and fences, while social and economic inequalities persist and grow. The exhibition ‘ME/YOU, US/THEM’ presents the work of artists, designers, and architects reflecting on the complexity of the many coexisting identities and addressing the concepts of ´me´ and ´you´, ‘us’ and ‘them’, and how we do, or do not, get along.


The exhibition examines the issue of ‘how to live together’ on a scale ranging from the border politics of nation-states to the interactions between individuals. Truly living together involves recognizing that diversity is not merely to be tolerated, but to be celebrated. By valuing and embracing diversity, societies can unlock their potential for innovation, creativity, and social progress. Ultimately, it all starts with our willingness, or unwillingness, to live together in a world full of contradictions.



In 2012, based on these principles, Droog and Erik Kessels created the project ‘Identity Land’: a space for a million identities, a concept for a fictional society which could emerge anywhere and everywhere. Now, 12 years later, with immigration, nationalism and nativism on the rise, conflicts between countries and regions exploding, and online filter bubbles accelerating polarisation, the themes and ideas of Identity Land continue to be relevant.


Identity Land envisioned a world where the nation state no longer provides the framework for identity. Instead it accepts that people desire both an individual and a collective identity. Playfully, the project proposes a manifesto for an imaginary society while also offering a replacement for the usual national symbols: the portrait of a queen, king or president on a coin has been polished down to a mirror, the flag has become transparent, and the anthem is a medley of all the world’s anthems. They illustrate non-identity, hyper-individual identitiy, fluid identity and plural identity.


Identity Land was the starting point for this exhibition. Twenty international artists, designers and architects explore the notion ME/YOU, US/THEM on various scales: from national border politics to migratory patterns in nature, from the influence of algorithms on our online behaviour to physical interactions between individuals. Danae Stratou photographed the lives of people living in regions marked by dividing lines, such as the Green Line in Cyprus and the border between Mexico and the US. Shilpa Gupta’s flag, made with words of tape reminds us that the sky has no borders, as does Desiree Dolron’s photographic tracking of the Monarch butterfly’s flight paths. While Efrat Zehavi is slowly but surely building a body of work in which she portrays a variety of individuals, modelling their portraits while having a conversation with them; during the opening days, she will do this as a performance in the exhibition. Artworks by: Ariane Loze (BEL), Aukje Dekker & Sexyland (NLD), CATPC (DRC), Danae Stratou (GRC), Desirée Dolron (NLD), Edith Dekyndt (BEL), Efrat Zehavi (ISR), Erik Kessels & Droog Design with Hans van der Meer and Helmut Smits (NLD), Francis Alÿs (BEL/MEX), Garry Davis (USA), Heather Dewey-Hagborg (USA), JR (FRA), Marije Vogelzang (NLD), Martin Creed (GBR), Rael San Fratello architects (USA), Shilpa Gupta (IND), Sunny Dolat & The Nest Collective (KEN), Tania El Khoury (LBN), Theo Deutinger (AUT).



Untitled (There is no border here), 2005-2006 © Shilpa Gupta


The Sea By Night, 2023 © Aukje Dekker with Sexyland

Portraits, since 2007 © Efrat Zehavi


Monarch, 2018 © Desiree Dolron


Teeter-Totter Wall, installation on location at the US-Mexico Border, near El Paso, Texas and Juarez, Chihuahua, 2019 © Rael San Fratello



 
 
 

10 Comments


nugulyhego
Oct 02

휴대전화 하나로 필요한 결제를 처리할 수 있는 환경은 상당히 편리한 부분이 있습니다. 소액결제 비교적 간단한 인증 절차를 활용하는 경우가 있어 온라인 서비스 이용에 적합하며, 사용 금액과 월별 한도를 확인하면서 계획적으로 관리하면 더욱 유용합니다.

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qucepakup
Sep 28

여러 번 문의해도 항상 같은 답변을 주는 점이 신뢰를 높여 주었습니다. 진행 중 부분이 중간에 분명히 안내되어 헷갈림 상품권매입 없이 이용할 수 있었습니다. 깔끔한 서비스가 인상적입니다.

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qucepakup
Sep 27

하루 일과를 마친 후 편안하게 몸을 관리하고 싶을 때 활용하기 좋았습니다. 이용은 시간과 장소를 조절하기 편하고, 출장마사지 이동에 대한 부담을 줄이면서 차분한 분위기에서 휴식을 취할 수 있다는 장점이 있었습니다.

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qucepakup
Sep 27

외출할 여유가 없는 날에도 편안하게 관리를 받을 수 있다는 점이 마음에 들었습니다. 출장마사지 이용 후 평소 긴장하기 쉬운 어깨와 허리 주변이 한결 부드러워진 느낌이었고, 이동에 필요한 시간을 아낄 수 있어 좋았습니다. 바쁜 직장인이나 집에서 쉬고 싶은 분들에게 활용도가 높은 서비스라고 생각합니다.

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qucepakup
Sep 26

일정이 끝난 뒤 편안한 공간에서 천천히 쉬어가는 시간이 만족스러웠습니다. 평택출장마사지 이용으로 이동 부담이 적었고 개인 일정에 맞춰 시간을 활용할 수 있어 편리하게 느껴졌습니다.

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